The Splendor That was Prairie Avenue

A great resource for information
about Prairie Avenue is this
"Images of America" book by
William H. Tyre.

One of the best perks to writing historical fiction is gaining a nodding acquaintance with fascinating places in the past. Some still exist today and can be visited, but most have disintegrated into a bygone time or only exist in a radically altered form.

The real life locale of much of the action in Seance in Sepia is a storied street in Chicago called Prairie Avenue. In 1875, the year my novel takes place, Prairie Avenue was the finest address one could hope to claim in that city. Chicago's elite all built mansions there after the Great Fire of 1871 destroyed much of the city center.

Household names like Marshall Fields, of department store fame, Phillip Armour of  meatpacking renown, and George Pullman of the train cars carrying his name, are just three of the millionaires who built mansions there which eventually totaled fifty in number.  Those built during the 1870's and 80's were styled in the manner the Second Empire with mansard roofs.

An 1870's sketch of the home that would inspire Seance in Sepia

The home I describe my characters living in was inspired by the Daniel Thompson house. Readers of Seance in Sepia will recognize the third floor tower room in the drawing as the location where the lifeless bodies of Medora Lamb and Cameron Curtis Langley were discovered by Medora's husband, Alec Ingersoll, who was subsequently charged with their murders.

An actual photograph of the Thompson mansion in the archives of
the Chicago History Museum 

Viewing a photograph of this house and that tower room literally created the scenes of the novel in my mind. Sadly the mansion in question no longer exists. I visited the real Prairie Avenue on a trip to Chicago a number of years ago and found only remnants of its past glory. The monied interests of Chicago eventually migrated northward to the shores of Lake Michigan near the end of the 19th century. The encroaching heavy industry and the growing rail lines in the Prairie Avenue area made it a less than desirable place to live for families who could afford to live anywhere.

A few mansions remain and one, the Glessner House, is now operating as a restored Museum. It has a website listing events there:
http://www.glessnerhouse.org/

The elegance of Victorian Chicago can be experienced or at least imagined there.

Seance in Sepia is available for purchase from Amazon.com and other fine online retailers. Or ask for it at your local library. 

The Strange World of Spirit Photography

Read more about Seance in Sepia here.

In my newest Victorian mystery novel, Séance in Sepia, I invite the reader to enter the strange world of spirit photography. This was a very real phenomenon that flourished during the second half of the Nineteenth Century and well into the early Twentieth.

The first commercial spirit photographer set up shop in Boston in the early 1860's. His name was William Mumler and his photographs were an instant sensation. He soon moved to New York to further his reputation and success. The massive loss of life during the Civil War spurred interest in making contact with the departed. Séances were more than a popular parlor entertainment. A large percentage of the population sincerely believed they could contact spirits of deceased loved ones using the services of a medium.

Mumler began to conduct séances in his photographic studio and, because the technology represented by the new invention of photography, his spirit photographs had added credibility.  Technology was scientific, and science couldn't lie, right? 

His most famous sitter was the recently widowed Mary Todd Lincoln whose portrait seems to show a spectral Abraham Lincoln standing behind her. There were doubters, of course. P.T. Barnum and others charged Mumler with fraud, claiming that some of his ghost images belonged to living persons. 

The May 8th, 1869, issue of Harper's Weekly Magazine reported, "If there is a trick in Mr. Mumler's process it has certainly not been detected as yet. To all appearances spiritual photography rests just where the rappings and table-turnings have rested for some years. Those who believe in it at all will respect no opposing arguments, and disbelievers will reject every favorable hypothesis or explanation. " 

More examples of Hope's spirit photos
can be viewed at How to be a Retronaut.

Mumler was acquitted, but his reputation was damaged by the charges. Spirit photography's most famous proponent was Sir Arthur Conan Doyle, the creator of Sherlock Holmes. In 1925, he wrote "The Case for Spirit Photography." 

He also defended a contemporary spirit photographer of his named William Hope. Some of Hope's photos inspired my descriptions of spirit photographs in Seance in Sepia.

Read the first two chapters of Séance in Sepia by clicking here.

Available from Amazon.com.

What is a "Steampunk-Adjacent" Novel?

I have been involved in the burgeoning Steampunk movement for the past three years and when friends find out I have a newly released book, they immediately ask if it is a Steampunk novel.  I have to reluctantly sigh and say, “No, but I consider it to be ‘Steampunk adjacent.’”

Now some of you are undoubtedly asking right now, “What the heck is a Steampunk novel?” A shorthand answer is: Victorian science fiction. At least, that is the seminal idea that inspired the group and still sparks the fiction carrying this label.  Another interesting and more descriptive phrase is a Neo-Victorian Retro-Futurist Techno-Fantasy, but that is a lot hyphens to cope with. 

Buy it on Amazon

While Steampunk novels all tend to have a science fiction or fantasy element attached, I would like to make the case that the premise of SÉANCE IN SEPIA could and should be considered Steampunk, or at least a cousin of the genre, because its focus is spirit photography which represents, at its heart, the merging of two major obsessions of the Victorian era:  technology and the occult. 

With these two elements present in the novel, its sensibilities are definitely Steampunk in nature. However, since none of my novel is fantasy—all elements really happened or could have taken place—it probably does not qualify for the Steampunk moniker. Thus, I rely on calling my story “Steampunk adjacent.”

The novel begins in the present day with a woman named Flynn buying an old photograph at an estate sale. She takes it to an antique dealer who tells her he thinks it might be a “spirit photograph.” During the heyday of séances in the last half of the Nineteenth Century, some photographers claimed they could photograph the departed during a seance.

Flynn starts researching the history of the photo and learns that the three people pictured were involved in a notorious Chicago murder trial in 1875 that the press dubbed the “Free Love Murders.”  A young architect was accused of murdering his wife and his best friend in a love triangle gone very wrong.

Real life feminist, Free Love advocate, and practicing spiritualist, Victoria Woodhull, soon gets involved in the case when the husband asks her to conduct a séance to discover how his wife and friend really died.  Victoria quickly finds herself involved in a web of intrigue that will take much more than a séance to resolve and by the conclusion, both Victoria and Flynn find their views on love and life have changed.

If I have piqued your interest in Steampunk fiction, or better yet, Steampunk Adjacent fiction, you are invited to read the first two chapters of SÉANCE IN SEPIA found on my website: www.MichelleBlack.com

New ''Séance In Sepia" review from "Mystery and Me" blogger Allene Reynolds

Available for pre-order on Amazon.com

 "Séance In Sepia, by Michelle Black, is an extraordinary novel. Spanning two worlds it guides the reader from present to past in a deft and enchanting chapter by chapter narrative. 

Flynn Keirnan, a woman helping her father purchase merchandise for his Antiquarian bookshop, discovers a old photograph in one of the volumes. It's not an ordinary sepia picture but a Victorian 'spirit photograph'. A local antique dealer offers Flynn a nice price for the the photo but she decides to try her luck on eBay, little knowing that she is generating a firestorm that will alter her life forever.

Who are those tragic, ghost-like images looking outward from the fading photo? Are they subjects of a bizarre and notorious murder trial held in Chicago in 1857 that the press dubbed 'The Free Love Murders'?  Would Victoria Woodhull, a popular spiritualist of that time, decipher the true answers in a séance? Was it murder, or suicide?  And, how does Flynn cross the boundaries of time to resolve old issues? Séance In Sepia is a mystery and a romance, both old and new.  A fascinating read, peeking into private thoughts found in an old journal, reading the actual trial transcript and pursuing notes of the famous feminist Victoria Woodhull. 

Seance In Sepia has not yet been released but can be reserved on Amazon."--Allene Reynolds

Reprinted with permission from Mystery and Me Blogspot.

Publishers Weekly weighs in on Séance in Sepia

This coming October, my new Victorian mystery novel, Séance in Sepia, will be published in hardcover by Five Star/Gale. As regular followers of this blog know, the story invites the reader to enter the bizarre world of Victorian spirit photography along with Flynn Keirnan who buys a strange old photograph at an estate sale.

She soon discovers the three figures in the photograph were involved in a notorious 1875 murder case in which a young architect was accused of killing his wife and best friend. Through trial transcripts, a journal kept by one of the victims, and notes from a jailhouse interview with the accused husband, Flynn learns that feminist firebrand and renowned spiritualist Victoria Woodhull was asked to contact the victims of the notorious “Free Love Murders” but the one-time presidential nominee soon found herself entangled in a web of intrigue and deceit that would take much more than a séance to resolve.

Weathering the gauntlet of reviews is the moment that every novelist both lives for and fears to the point of night sweats, but for this writer, the waiting is over and I can breathe again.

Publishers Weekly has reviewed my five previous novels and I am proud to share this new review of Seance in Sepia wherein they called it a "complex, skillfully told stand-alone" and conclude with:

"The smooth prose moves subtly between historical and modern investigative voices, leading the reader to muse along with the characters on the nature of how love has changed over the centuries."


The full review can be read on their site: http://www.publishersweekly.com/978-1-4328-2548-5

The Steampunk Heart of Victorian Spirit Photography

The cover image for SÉANCE IN SEPIA 

Spirit photography embodies the ultimate Steampunk conceit: it represents the nexus of two of the biggest Victorian obsessions--technology and the occult.


What was spirit photography? 


The first commercial spirit photographer set up shop in Boston in the early 1860's. His name was William Mumler and his photographs were an instant sensation. He soon moved to New York to further his reputation and success. The massive loss of life during the Civil War spurred interest in making contact with the departed. Séances were more than a popular parlor entertainment. A large percentage of the population sincerely believed they could contact spirits of deceased loved ones using the services of a medium.

Mumler began to conduct séances in his photographic studio and, because the technology represented by the new invention of photography, his spirit photographs had added credibility.  Technology was scientific and science couldn't lie, right? 


His most famous sitter was the recently widowed Mary Todd Lincoln whose portrait seems to show a spectral Abraham Lincoln standing behind her.

Harper's couldn't resist lampooning the Mumler trial in the cartoon

There were doubters, of course. P.T. Barnum and others charged Mumler with fraud, claiming that some of his ghost images belonged to living persons. The May 8th, 1869, issue of Harper's Weekly Magazine reported, "If there is a trick in Mr. Mumler's process it has certainly not been detected as yet. To all appearances spiritual photography rests just where the rappings  and table-turnings have rested for some years. Those who believe in it at all will respect no opposing arguments, and disbelievers will reject every favorable hypothesis or explanation. " 

Mumler was acquitted, but his reputation was damaged by the charges. Spirit photography's most famous proponent was Sir Arthur Conan Doyle, the creator of Sherlock Holmes. In 1925, he wrote "The Case for Spirit Photography." 


A fascinating website is available from avid spirit photography collectors, Jack and Beverly of the BrightBytes Studio. They not only own an impressive collection of original spirit photographs, but offer a wealth of information and links to other sites on the subject.

In 2005, the Metropolitan Museum of Art created an exhibit on the subject of Spirit Photography.  A beautiful coffee table-sized book called "The Perfect Medium" was produced from the exhibition and is still available on Amazon.


My forthcoming novel, SÉANCE IN SEPIA, is a Victorian mystery delving into the world of spirit photography. Real life feminist Victoria Woodhull is featured as the protagonist in that, before she was the first female presidential candidate and the foremost proponent of Free Love and other radical causes, she was a spiritualist and even served as the president of the American Association of Spiritualists in the mid-1870's. (for more information on Victoria, please see my previous post here.)